by photographer Samer Mohdad 1999 FiftyCrows PhotoFund Winner
"My Arabias" doesn't exist in the dictionary nor in any other reference book. I
invented it to satisfy my need as a writer who works with light. This light
reflected on the realities of my world registers itself backwards in my mind's
eye. These visions are my words based on a negative image, the fruit of a ten
year inner voyage in the shadows created by the landscape of my feelings. I
went searching for what I already knew.
The West is fascinated by the East because the mix of races coexisting in the
Near and Middle East is very representative of the peoples of ancient times.
The Arab world, however, is being slowly erased by a Muslim world.
Unfortunately, Westerners believe that being Arab necessarily means being
Muslim. What a mistake they make! Overloaded by the news media, our minds do
not stop accumulating such falsities. Today, the television screen bombards our
children with beams of light, and we have become guinea-pigs for experiments of
light signals on viewers.
No, the Arab world is not closed to photography. Contrary to what many believe
in the West, Islam does not forbid imagery. However, because photography is so
intimate and personal, it lends itself to diverse interpretations which are
also directly derived from its universality. Without freedom, no author can
express feelings towards a subject, yet he should realize that his freedom
should never infringe on that of others.
Everybody can take pictures, but to express oneself through light is more
difficult. The arrival of numeric cameras confirms the fact that anybody can
capture moments on a temporal support. Pictures have become a language.
Photography has been widely practiced as a profession in Arab countries as
elsewhere in the world, but there the photographer's rights are not
acknowledged. It is undeniable that it is a region plagued by more important
problems: war, lack of food for displaced persons, the construction of new
infrastructure and so on... For me, it is absolutely necessary to memorize such
moments and learn to read them. This will give us a better understanding of our
situation and help guide us towards a constructive future.
The photographer is like the astronaut. One searches the sky for stars, the
other searches his surroundings for reflections of memorable times to inscribe
them in his visual memory and keep them registered on paper. The most difficult
moment come when the photographer is faced with comparing what he really saw
with the fixed image. In very rare cases, a printed black and white image
printed can stir up a feeling stronger than the actual vision that was
photographed. Much imagination and know-how would be required to relive the
moment that vision was captured.
In all honesty, I am worried about the Arab world as it stands today. It makes
me wonder more deeply about what it means to be Arab or European, Persian or
Turkish... All of this is particularly insignificant in a region of the world
where very early in the history of humankind, many nations succeeded one
another and now live next to each other. How is it possible to define the Arab
identity in our society when it is increasingly so narrowly identified with
Islam?
I have made a great effort to accept realities without making any judgments.
This has allowed me to adopt a better approach to understanding the problem
that continues to feed the flame of hatred in the hearts of humans. If only we
look at things simply, Islam is nothing other than the third monotheist
religion born in this region.
The women of Jewish villages veil themselves as Muslim women do. A man dressed
as a Bedouin is not necessarily Muslim; he can also be Christian. It is said
that ten thousand years ago, we cultivated black wheat in the Kings' Valley, in
what is today Jordan. For centuries, the Yemenis made the world believe that
they fabricated their own incense and spices while they were really importing
them from India and Asia. The Cananites, later called Phoenicians by the
Greeks, had established trading posts throughout the Mediterranean region and
the Middle East. The rules and laws used for commercial ends fostered cultural
exchanges between the various peoples. Some of those influences continue to
exist in our modern society. I would rather not delve into historical details,
but I must say that during those travels devoted to taking picture, I came
across many situations which were surely stolen from time.
I worry that in a few years, time will recover its place and we lose all our
direct relations with the past. Ever thirsty for gold, we continue to use our
bulldozers to excavate throughout the world sites that are otherwise rich in
history.
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